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2190.00 грн
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Jimi Tenor (born Lassi O. T. Lehto, 1965) is a Finnish musician. His artist name is a combination of the first name of his youth idol Jimmy Osmond and the tenor saxophone. His band Jimi Tenor & His Shamans released its first album in 1988, whilst Tenor's first solo album appeared in 1994. "Take Me Baby" became his first hit in 1994. He has released albums on Sahko Recordings, Warp Records and Kitty-Yo record labels.
Фірмова вінілова платівка (VINYL)
Hans-Joachim Roedelius (born 26 October 1934) is a German electronic musician and composer, best known as a co-founder of the influential 'kosmische' groups Cluster and Harmonia. He also performed in the ambient jazz trio Aquarello, and released several solo studio albums.
Фірмова вінілова платівка (VINYL)
Jimi Tenor (born Lassi O. T. Lehto, 1965) is a Finnish musician. His artist name is a combination of the first name of his youth idol Jimmy Osmond and the tenor saxophone. His band Jimi Tenor & His Shamans released its first album in 1988, whilst Tenor's first solo album appeared in 1994. "Take Me Baby" became his first hit in 1994. He has released albums on Sahko Recordings, Warp Records and Kitty-Yo record labels.
1890.00 грн
Фірмова вінілова платівка (VINYL)
Wie das Wispern des Windes (English - Like the whispering of the wind) is an album by German musician Hans-Joachim Roedelius, released in Norway by independent record label Cicada Records in 1986. The album contains ambient piano music. The music was recorded between 1983 and 1985 in Roedelius` home, a friend's house and at the Bloomsbury Theatre in London. The music was written, performed, recorded and produced by Roedelius. He also designed the album cover.
1780.00 грн
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Wasser im Wind (German for "Water in the Wind") is the tenth solo album by keyboardist Hans-Joachim Roedelius, best known for his work with Cluster, Harmonia, and Aquarello.
Фірмова вінілова платівка (VINYL)
Offene Turen is the eighth solo album by German keyboardist Hans-Joachim Roedelius, best known for his work with Cluster, Harmonia, and Aquarello. The music of Offene Turen is more avant-garde than other Roedelius solo albums of the 1970s and 1980s. It can best be compared to Cluster's Curiosum which was released by Sky Records the previous year.
1890.00 грн
Фірмова вінілова платівка (VINYL)
Hans-Joachim Roedelius (born 26 October 1934) is a German electronic musician and composer, best known as a co-founder of the influential 'kosmische' groups Cluster and Harmonia. He also performed in the ambient jazz trio Aquarello, and released several solo studio albums.
Фірмова вінілова платівка (VINYL)
Jardin Au Fou is the second solo album by German keyboardist Hans-Joachim Roedelius, best known for his work with Cluster. The title is French for "Madman's Garden". Jardin Au Fou was recorded from April through July, 1978 at Paragon Studios in Berlin, Germany. It was produced by former Tangerine Dream member Peter Baumann and released by the French label Egg in 1979. Jardin Au Fou was the only early Roedelius album not to be released by Sky Records. The original release included 10 tracks but the final short piece, "Final", was left off the track listing on the original album cover.
Фірмова вінілова платівка (VINYL)
Qua is the eleventh and final album by German Krautrock band Cluster, released in May 2009 on Nepenthe Music. It is the band's twelfth studio album and first in fourteen years.
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GroBes Wasser is the seventh album by the electronic music outfit Cluster. It was co-produced by former Tangerine Dream member Peter Baumann. GroBes Wasser marked the return to Cluster working as a duo of Hans-Joachim Roedelius and Dieter Moebius after two albums collaborating with Brian Eno.
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Curiosum is the ninth album by the electronic music outfit Cluster. It was also the final collaboration between Dieter Moebius and Hans-Joachim Roedelius before an eight-year hiatus. Curiosum was recorded in May 1981 at Hamet Hof in Vienna, Austria and released later that year. The album was Cluster's last release for Sky. It lives up to its name, with the seven relatively short tracks of offbeat and unusual melodies. Stewart Mason, in his review for Allmusic, writes that Cluster "...had started taking cues from the groups they'd initially inspired. Gone are the side-long experiments of early Cluster albums..."
